New York 1953, Joanna and Laurence Ward are looking for a new nanny for their daughter Gwen. They hire the young Vivian Maier. Vivian is very secretive, even a little weird and not easy to get along with, but the children love to walk the city streets with her... and her camera. This story is inspired by real life events. It is punctuated by a selection of photographs taken by Vivian Maier between 1952 and 1960. Each scene imagines the context in which the photos could have been taken and thus offer a very subjective and personal view of Vivian Maier’s life. Vivian Maier photographed her life as if her life depended on it but without ever having developed her negatives, so she never shared her work with anyone. “Inconceivable for us today, in these times when our fragile and demanding egos endlessly seek approval, admiration, attention.” (Gaëlle Josse, Une femme en contre-jour).
New York 1953, Joanna and Laurence Ward are looking for a new nanny for their daughter Gwen. They hire the young Vivian Maier. Vivian is very secretive, even a little weird and not easy to get along with, but the children love to walk the city streets with her... and her camera. This story is inspired by real life events. It is punctuated by a selection of photographs taken by Vivian Maier between 1952 and 1960. Each scene imagines the context in which the photos could have been taken and thus offer a very subjective and personal view of Vivian Maier’s life. Vivian Maier photographed her life as if her life depended on it but without ever having developed her negatives, so she never shared her work with anyone. “Inconceivable for us today, in these times when our fragile and demanding egos endlessly seek approval, admiration, attention.” (Gaëlle Josse, Une femme en contre-jour).
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